Last day at the archives

Today was my last day at the WLA. I spent the day processing my last two collections. These were both artist's collections belonging to Maureen Warren and Fern Shaffer. However, Ms. Shaffer is actually donating more materials tomorrow so that will be added to what I've already processed.

 Ms. Warren's collection was very interesting because the focus of her work is to juxtapose Eastern and Western art styles. She compares the stillness and flatness of Eastern art with the movement and realism in Western art. I found her painting of geisha's particularly beautiful.

http://my.saic.edu/resource/resmgr/images_barewalls_2009_artgallery/warren__j_050__startled_by_s.jpg

http://www.arceoart.us/collaborations/santitos/pics/maureen_warren_kabuki_st_augustine.jpg

After I finished processing these collections, I did the standard "end steps" of labeling the boxes and folders, creating a title page for this collection to put inside the finding aid, and any other extra steps for safe preservation and storage.

Its really nice to see the boxes of materials you've processed lined up neatly with their labels. Its also fun to go into the basement and find a place to store these new collections among the many others that the WLA has.

More Artist's Collections

 Last week I worked on processing a few more small artist's collections. These collections are fun to do because I get to see the various forms of art and they're small enough to work through quickly.

Specifically, I worked on Karen Hanmer's, Nancy Plotkin's, and Margaret Lanterman's collections. These three women are linked by the fact that their worked has been featured at Artemesia Galleries, which I wrote about in an earlier post. The director of the archives told me that the majority of these new artist's collections came to the archives as a result of her recent presentation at an Artemesia event.

I questioned her about the process of finding donors and gathering collections. She said it can be done on a personal level where someone contacts the archives and an archivist goes to their home or office to assess the size and condition of their materials. Also, its can be done on a larger scale like she did with Artemesia. In either case, the goal of the archivist is to inform the potential donor about the benefits of having their materials archived. The archivists talk about how these materials will be preserved meticulously so that they last much longer than they would in an attic or a basement. They also talk about the value of having these women's materials in the archives as a contribution to the collection of women's history materials.

It is essential that more women donate their materials to archives like the WLA because the aim of this center is to preserve, share, and celebrate women's history. Archivists emphasize that all women make history whether it is Amelia Earhart or Jane Doe. Each of these women's stories and contributions to society are equally important and are necessary elements in the greater collection of women's history.

New Collection

 Today I started a new collection. Since I only have a few weeks left before graduation, the direction suggested that I work on very small collections that won't day more than a few days to complete. So, she suggested that I work on an artist's collection because they tend to be smaller and easier to handle.

I started working on Toby Zallman's collection. She is a Chicago-based mixed media sculptor who has been actively featuring her work throughout the Midwest since the 1980s. Her work is interesting because of the media she uses and the message the emanates from much of her work. Many of her sculptures focus on the juxtaposition of dichotomies such as masculine vs feminine, organic vs inorganic, or hard vs soft.

She uses interesting media including old computers and keyboards and alters their structure to portray some message. I found her keyboard work especially interesting because it is not only altered in form, but also includes a message. In her artist's statement, Zallman says that these are messages from the keyboard to her and symbolize the various relationships in her life.

http://www.tobyzallman.com/PAGES/keyboards5.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

http://www.tobyzallman.com/PAGES/keyboards4.html

Labels and women's archives

Today I officially finished organizing the Gannon Center collection, creating the finding aid, and labeling all of the boxes and folders! Its taken a while, but its nice to see all of these documents and materials organized and stored safely. I hope that if a researcher comes to the WLA looking for information about the Gannon Center, this collection will be helpful and easy to navigate!

After finishing with labels, I read an article by Karen M. Mason and Tanya Zanish-Belcher entitled "Raising the Archival Consciousness: How Women's Archives Challenge Traditional Approaches to Collection and Use, Or, What's in a Name?" about the history of women's archives. The authors gave an very interesting overview of the creation of women's archives from the initial realization of the need to archive women's histories to the present.

The authors stated that the concept of an archive dedicated solely to women emerged in the 1960s and 1970s around the time of the feminist movement when women realized that their histories were not being told in the broader genre. Women's contributions to history were not well preserved and were not being included in mainstream histories.

This sparked the increased collection and archiving of women's records and papers and even led to the creation of archives solely for women. However, in the 1980s, archivists realized that many of their collections did not reflect diversity. This was both a lack of racial diversity as well as representation of women from different faiths and social classes.

Many of the women whose materials had been archived were upper class educated women and mostly white. Thus action began to not only find donors from diverse racial or ethnic backgrounds but also from different education levels. The authors then introduced the importance of oral history to archiving. They stated that because they wanted to record the histories of women who were from lower social classes or had not received as much education, they needed to rely on oral history as much as documented histories.

African Activist Archive

Finally, the authors stated that the goal for archivists today is to be as open as possible to new collections and donors and to try and remove biases if possible. Because many archives and archivists tend to be more liberal or identify as feminists, it is important that they remain open minded to donors and collections that may be more conservative or "right-wing" because these histories are just as essential in the greater fabric of women's history.

Slow week at the archives

This week the computers at the archives were all being updated so there wasn't a lot of work that I could do.
Instead of working on my collection, I helped a graduate assistant with her work.
The collection she is working on about Deborah's Place had a lot of news print. In archiving, original news print is often recycled or disposed of because of the low quality and vulnerability of the paper. The originals are photo copied on to acid free paper and as usual any metal paper clips or staples are removed. This ensure that the news article will be preserved for a longer period of time.

I came across some interesting articles about Deborah's Place including the process of opening it and some of the controversy behind it. Some residents of the neighborhood weren't completely on board with the opening of a home for battered and homeless women so close to them, but luckily the center was opened despite any issues in 1985.

For the rest of this week, I will be finishing my collection and possibly starting a new project. More to come later!